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Sex Life. Sex Life - Cop's Wife Some of the most notorious or infamous films are quite mediocre, usually made as an excuse to display nudity or eroticism of a star performer. Please do not proceed any further if you are not interested in this kind of material. Brief Historical Overview Reference Introduction. All rights reserved. Filmsite: written by Tim Dirks.
Although most serials were filmed economically, some were made at significant expense. The Flash Gordon serial and its sequels, for instance, were major productions in their times. Serials were action-packed stories that usually involved a hero or heroes battling an evil villain and rescuing damsel in distress.
The villain would continually place the hero into inescapable deathtraps, or the heroine would be placed into a deathtrap and the hero would come to her rescue. The hero and heroine would face one trap after another, battling countless thugs and lackeys, before finally defeating the villain. The silent era was the zenith of the movie serial.
Another popular serial was the episode The Hazards of Helen made by Kalem Studios and starring Helen Holmes for the first forty-eight episodes then Helen Gibson for the remainder. Other major studios of the silent era, such as Vitagraph and Essanay Studios , produced serials, as did Warner Bros. Several independent companies for example, Mascot Pictures made Western serials.
Four silent Tarzan serials were also made. Serials were a popular form of movie entertainment dating back to Edison's What Happened to Mary of There appear to be older serials, however, such as the Deutsche Vitaskop 5 episode Arsene Lupin Contra Sherlock Holmes , based upon the Maurice LeBlanc novel,  and a possible but unconfirmed Raffles serial in Years after their first release, serials gained new life at "Saturday Matinees", theatrical showings on Saturday mornings aimed directly at children.
For that reason, serials are sometimes called "Saturday Matinee Serials", even though they were originally shown with feature films. The arrival of sound technology made it costlier to produce serials, so that they were no longer as profitable on a flat rental basis.
Further, the Great Depression made it impossible for many of the smaller companies that produced serials to upgrade to sound, and they went out of business. Only one serial specialty company, Mascot Pictures , transitioned from silent to sound filmmaking.
Universal Pictures also kept its serial unit alive through the transition. In the early s a handful of independent companies tried their hand at making serials, including the once-prolific Weiss Brothers.
The Weisses bought a little time when Columbia Pictures decided to take a try at serials, and contracted with them as Adventure Serials Inc.
They were successful enough that Columbia then established its own serial unit and the Weisses essentially disappeared from the serial scene. This was in , and Columbia was probably inspired by the previous year's serial blockbuster success at Universal, Flash Gordon , the first serial ever to play at a major theater on Broadway ; and by the success of that same year of the newly created Republic Pictures , which dedicated itself to a program of serials and westerns, eschewing major productions in their favor.
The creation of Republic involved the absorption of Mascot Pictures , so that by , serial production was now in the hands of three companies only — Universal, Columbia, and Republic, with Republic quickly becoming the acknowledged leader in quality serial product.
Each company turned out four to five serials per year, of 12 to 15 episodes each, a pace they all kept up until the end of World War II when, in , Universal dropped its serial unit along with its B-picture unit and renamed its production department Universal-International Pictures. Republic and Columbia continued unchallenged, with about four serials per year each, Republic fixing theirs at 12 chapters each while Columbia fixed at fifteen.
By the mids, however, episodic television series and the sale of older serials to TV syndicators by all the current and past major sound serial producers, together with the loss of audience attendance at Saturday matinees in general, made serial-making a losing proposition. There have been several posts attempts at reviving or recalling cliffhanger serials, by both fans and professional studios, and serials were often spoofed in cartoons of the s.
In the early days of television in the United States, movie serials were often broadcast, one chapter a day, and in the late s and s, they were often revived on BBC television in the United Kingdom. The popular Indiana Jones movies are a well-known, romantic pastiche of the serials' plot elements and devices.
An early attempt at a low-budget Western serial, filmed in color, was entitled The Silver Avenger. One or two chapters exist of this effort on 16mm film but it is not known whether the serial was ever completed. The best-known fan-made chapter play is the four-chapter, silent 16mm Captain Celluloid vs. The plot involved a masked villain named The Master Duper, one of three members of a Film Commission who attempts to acquire the only known prints of various lost nitrate films, and the heroic Captain Celluloid, who wears a costume reminiscent of that of the Black Commando in Columbia Pictures' serial The Secret Code and is determined to uncover him.
Roles in the serial are played by, among others, film historians and serial fans Alan Barbour and William K. In the s, serial fan Blackie Seymour shot a complete chapter serial called The Return of the Copperhead. Seymour's only daughter, who operated the camera at the age of 8, attests that as of the serial was indeed filmed but the raw footage remains in cans, unedited.
A second ten-chapter serial, The Dangers of Deborah, in which a female reporter and a criminologist fight to uncover the identity of a mysterious villain named The Terror, was released by Cliffhanger Productions in In , Lamb4 Productions created its own homage to the film serials of the s with its own serial titled "Wildcat. This eight-chapter serial was based heavily on popular super hero serials such as "Batman and Robin," "Captain America," and "The Adventures of Captain Marvel.
The serial format was used with stories on the original run of The Mickey Mouse Club —58 , with each chapter running about six to ten minutes. In England, in the s and 60s, low-budget six-chapter serials such as Dusty Bates and Masters of Venus were released theatrically, but these were not particularly well-regarded or remembered. The greatest number of serialized television programs to feature any single character were those made featuring The Doctor , the BBC character introduced in Doctor Who serials would run anywhere from 3 to 12 episodes and were shown in weekly segments, as had been the original theatrical cliffhangers.
Doctor Who was syndicated in the US as early as , but did not gain a following in America until the mids when episodes featuring Tom Baker reached its shores.
The s cartoon show Adventures of Rocky and Bullwinkle included two serial-style episodes per program. These spoofed the cliffhanger serial form. Within the Rocky and Bullwinke show, the recurring but non-serialized Dudley Do-Right , specifically parodied the damsel in distress Nell Fenwick being tied to railroad tracks by arch villain Snidely Whiplash and rescued by the noble but clueless Dudley.
Danger Island , a multi-part story in underminute episodes, was shown on the Saturday morning Banana Splits program in the late s. Episodes were short, full of wild action and usually ended on a cliffhanger. This serial was directed by Richard Donner and featured the first African American action hero in a chapter play.
The violence present in most of the episodes, though much of it was deliberately comical and would not be considered shocking today, also raised concerns at a time when violence in children's TV was at issue. On February 27, , NBC broadcast the first episode of an hour-long weekly television series Cliffhangers!